Deconstructing Contemporary Art in Mozambique: How Recycling and Bricolage in Art Making Reveal Distinct Mozambican Histories and Contemporary Identities, Contemporary Art Session, SECAC, Durham, North Carolina, October 19, 2012.

Amy Schwartzott

Deconstructing Contemporary Art in Mozambique: How Recycling and Bricolage in Art Making Reveal Distinct Mozambican Histories and Contemporary Identities, Contemporary Art Session, SECAC, Durham, North Carolina, October 19, 2012.

Amy Schwartzott

Visual & Performing Arts/Theater & Dance

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

Abstract

Deconstructing Contemporary Art in Mozambique: How Recycling and Bricolage in Art Making Reveal Distinct Mozambican Histories and Contemporary Identities, Contemporary Art Session, SECAC, Durham, North Carolina, October 19, 2012.

Original language	English
Title of host publication	Unknown book
State	Published - 2012

Fingerprint

Dive into the research topics of 'Deconstructing Contemporary Art in Mozambique: How Recycling and Bricolage in Art Making Reveal Distinct Mozambican Histories and Contemporary Identities, Contemporary Art Session, SECAC, Durham, North Carolina, October 19, 2012.'. Together they form a unique fingerprint.

Cite this

@inproceedings{d979060bfc554d618eef06dad3f3f080,

title = "Deconstructing Contemporary Art in Mozambique: How Recycling and Bricolage in Art Making Reveal Distinct Mozambican Histories and Contemporary Identities, Contemporary Art Session, SECAC, Durham, North Carolina, October 19, 2012.",

abstract = "Deconstructing Contemporary Art in Mozambique: How Recycling and Bricolage in Art Making Reveal Distinct Mozambican Histories and Contemporary Identities, Contemporary Art Session, SECAC, Durham, North Carolina, October 19, 2012. ",

author = "Amy Schwartzott",

year = "2012",

language = "English",

booktitle = "Unknown book",

}

TY - GEN

T1 - Deconstructing Contemporary Art in Mozambique: How Recycling and Bricolage in Art Making Reveal Distinct Mozambican Histories and Contemporary Identities, Contemporary Art Session, SECAC, Durham, North Carolina, October 19, 2012.

AU - Schwartzott, Amy

PY - 2012

Y1 - 2012

N2 - Deconstructing Contemporary Art in Mozambique: How Recycling and Bricolage in Art Making Reveal Distinct Mozambican Histories and Contemporary Identities, Contemporary Art Session, SECAC, Durham, North Carolina, October 19, 2012.

AB - Deconstructing Contemporary Art in Mozambique: How Recycling and Bricolage in Art Making Reveal Distinct Mozambican Histories and Contemporary Identities, Contemporary Art Session, SECAC, Durham, North Carolina, October 19, 2012.

M3 - Conference contribution

BT - Unknown book

ER -